There are few musicians more universally recognized, admired and loved than Les Paul.
The Year of Les Paul is Gibson’s opportunity not only to revisit Les’s greatest designs but also to forge ahead with the spirit of invention that he championed. For decades, Gibson was Les’s inspiration. Today, he is Gibson’s.
Les is one of the most significant figures in modern music, as integral to a musician’s life as Thomas Edison or Alexander Graham Bell are to modern society. Les felt one of his greatest achievements was his induction into the Inventors Hall of Fame at the age of 90. Les Paul was that rare person in life, a true renaissance man.
Born in Waukesha, Wisconsin, Les showed a love for music at an early age. At 8 years old he taught himself how to play the harmonica, piano and banjo and was performing on guitar at 13, billing himself as “Rhubarb Red” with a homemade harmonica holder. All his life he experimented with improving every instrument he played. Les’s passion for recording drove him to invent equipment that would allow him to translate his ideas into music. He made one of his first solidbody guitars by attaching pickups to a railroad tie. Les even created a recording lathe made from a Cadillac flywheel and a dentist drill — producing recordings good enough to land him a contract with Capitol Records in 1948.
Les’s stories, and he loved to tell a story, could all be movie scripts on their own — driving to Oklahoma to check out Bob Wills and the Texas Playboys, hanging out in New York City with Charlie Christian, trading licks with Django Reinhardt, playing with Chet Atkins, designing multi-track tape machines and broadcasting national radio and television shows from his living room.
Throughout his life, Les Paul loved Gibson guitars. The Gibson factory was his personal laboratory, and Gibson instruments were his inspiration for innovation. Few musicians can claim to have truly made history. But starting in the 1950s Les Paul — with help from Gibson — did just that.
Top Figured Maple
Back Solid Mahogany
Binding .090, Cream
Body Type Non-Chambered
Average Weight 6.5lbs
Adhesive Franklin Titebond 50Neck
Profile Page “Number Two”
Truss Rod Traditional
Joint Angle 4° (+/- 15 seconds)
Adhesive Franklin Titebond 50Neck Fit
Joint Mortise & Tenon
Adhesive Franklin Titebond 50
Joint Angle Tolerance +/- .005″Fingerboard
Inlays Aged Acrylic Trapezoid
Other Page Fret Wire/Tortoise Side DotsNut
Material Nylon 6/6
Slots Gibson PLEK SystemHeadstock
Inlay Mother of Pearl
Logo Period-correct Gibson logo with “les Paul Model” Silkscreened in Gold
Truss Rod Cover Vinyl Plastic “Antique Bell”
Average Weight .94 lbsTuners
Model Die Cast Grover tuners
Tuning Ratio 12:01Bridge
Type Tune-o-matic (ABR-1)
Material Zinc Surrounded by a die casting alloy
Plating Polished NickelTailpiece
Type Stop Bar
Knobs Gold Top Hat
Pickguard Reissue Cream with Two Push-button Switches Underneath
Toggle Switch Washer Cream with Gold Silkscreen
Strings .009 – .046, vintage strings
Strap Buttons Schaller StraplocksPickups
Neck Position Jimmy Page BurstBucker, Covered
Bridge Position Jimmy Page “Number Two” Bucker, Uncovered with Black Bobbins*
Magnet Material Jimmy Page BurstBucker: Alnico III
Jimmy Page “Number Two” Bucker: Alnico VElectronics
Potentiometers 2 Push-Pull Volume Controls, 2 Push-Pull Tone Controls
Type 500k Audio Taper
Custom Switches Two Push-button DPDT Switches Mounted Underneath the Pickguard
Coil Wiring Parallel-Machine Wound
Toggle Switch Vintage Three-way with Amber Plastic Tip
Output Jack 1/4″ SwitchcraftFinish
Color Page Burst “Number Two”
Process Aged: Tom Murphy Aged VOS: Lightly Aged In-house
Sealer Nitrocellulose LacquerCase
Type Custom Shop
Case Exterior Black Pleather Silkscreened with Jimmy Page Signature
Case Interior Maroon Crushed VelvetAccessories
Certificate of Authenticity Leather-bound Certificate of Authenticity. 25 Signed/Aged and 100 Aged guitars get engraved Interior COA. 200 VOS get standard COA interior.